Did?).ier Konings’ simmering mediaeval horr@`]or Witt*-*-e W^]i(even exp% \_lores the $_)^confluence of religion $and pa+tr iarchy in a!n exces% siv
ely purita\.
nic # al Dutch vi:llage*. ,]Bla, med by h?er `\ community f or being childless ], Frieda( 
[immerses h,\erself in pray %
#er and ritual. When sh/[)e ret(#ur[ ns unsca]^,thed?/` f*@rom[ the forbidde,@ n forest surroundin\
g the,\ vil-lage,. ha%:_#v?)ing=+ evaded a ?^lecherou^% :s butch \$_er, she is `$condemned a)%@)s?= an @agent of t_he devil. Frieda#,, howev-^$e ]%r];, finds new faith -in the d
ar ].k powers %that inhabit the w^o\%ods.　　Sh\_?ot in a reduced colour palette at the edge of?% ! visibili%,t/ y, ^)/@:Konings’ g
]rip [ping film construct*(s;( a conv%_incing pre-modern: soci]%ety w%-hose p:ra];=c(]?ti ces +/,+it ] @elucidates ?:w-ith patien%:=ce and@ attention. Althoug??*^h se%
t @]in th=e :Middle Ages,- Witte Wieve;%n di]^splays).=? an#= u)-[nm
i=s)takably contempo!;rary ]_s
#p^):i$[ri(/%t, crafting(?) a femi)`n:.ist par*ab),: le about ?_women discoveri]=#ng new ways of understand) i?ng th/(,/eir l;ives and the world.